The new limited edition, DANTE, includes the first recording of Thomas Adès's score for the ballet and a photogravure by Dean, presented in a custom-made box.

Over the past three years South African art authority and dedicated researcher Warren Siebrits began compiling a five-volume catalogue raisonné of Kentridge’s prints and posters.

The lighthouse on the island of Santa Clara in Donostia / San Sebastián stood empty for many years until Cristina Iglesias transformed it into a breath-taking sculptural work that opened to the public in 2021

This book will examine key works to explore how they have illuminated media and culture at their moment of making and how they continue to inform present critical thinking around “watching” technology, culture, and the dynamics of popular culture.

Tavares Strachan: In Plain Sight is the first major book on the artist to be published since 2014. Focusing on his extraordinary exhibition at Marian Goodman Gallery London in 2020, this hardcover book features a lenticular print on the cover and over 120 full color images. The book includes a new and insightful text by esteemed writer and art critic Adrian Searle.

Francesca Woodman: Alternate Stories presents over forty vintage photographs by the pioneering American photographer, many of which have never before been seen.

America Señores Naturales retraces the history of one of Lothar Baumgarten’s most famous site-specific interventions from 1984, Señores Naturales, and uses it as a point of departure to explore some of the key concepts that have shaped his oeuvre.

An Island Is A Circle spans the various bodies of work Gabriel Orozco created whilst living in Bali, Indonesia (2017-2019). The book’s design was closely overseen by the artist himself and is profusely illustrated with images of drawings, paintings and the limestone Dés sculptures made in collaboration with professional artisans in Bali.

Archive, Matrix, Assembly: The Photographs of Thomas Struth 1978-2018 presents the first comprehensive, systematic theory of contemporary German artist Thomas Struth's main body of photographic work from its beginnings in the late 1970s until his most recent work in 2018.