Giuseppe Penone Avvolgere la terra

For Avvolgere la terra (2024), Penone applies his tactile approach to the materials, revisiting the process of “fossilizing a gesture.” Holding terracotta fragments between his hands, a group of unique sculptures emerge from the raw material, imprinted with the surface of his skin, the contours of his palm and fingers. As Francesco Guzzetti states, “it is from “the negative of his hand, and the embrace of the closed fist that the material takes shape.” The soft, rounded forms crystallize through the compression of materials, enhanced by a vibrant palette of ocre and yellow pigments. In this manner, Penone highlights the tangible nature of the earth, cradling it in his hands to evoke a sense of touch and to underscore his relationship with the natural world. As each handful of earth is different, each of the 17 editions is unique.